"Digital Infrared Photography," an all new guide that illustrates and explores the enchantingly beautiful world of infrared images.

By simply adding a filter to the camera lens, or using a converted camera, digital photographers can capture infrared (IR) images featuring expressive skies, dramatic clouds, and intriguing white foliage. Illustrated with hundreds of striking IR images taken from around the world, this unique guide shows photographers how to get started and get creative with IR. Each chapter covers IR basics as well as imaginative techniques that produce eye-catching images. Subjects such as long exposures, multiple exposures, and image enhancement with hand coloring, mirroring, toning, and layering as well as HDR, Photomerge, and other creative Photoshop techniques are illustrated and explained in easily understood detail. The book also includes an inspirational gallery showcasing IR work from top photographers such as Kathleen Carr, Joe Farace, and Lewis Kemper, and engages the reader with interactive online end-of-chapter assignments.

Deborah Sandidge is a professional award winning photographer, highly skilled in her ability to artistically capture unique images of birds, wildlife, landscapes, and scenic areas of the world. Her photos continue to be featured in many gallery exhibits and events such as PhotoExpo Plus, MacWorld, and PMA. Her work has also appeared in several instructional books, magazines, and calendars. Deborah is co-founder and Creative Director of the League of Creative Infrared Photographers, an online group of photographers who do innovative and creative infrared work. Deborah is a guest instructor at the Harmon School of Photography in Orlando. She frequently teaches workshops and does specialized presentations on creative photography.

Research performed on film based infrared photography.

Presenting advances in infrared photography, which has long been an artful alternative to traditional color or black-and-white photography, this guide provides tips for creating vivid infrared prints. Previsualizing the effects of infrared light on a subject, successfully using Adobe Photoshop to heighten the effects of infrared images, and creative toning and framing strategies are discussed. The savings from shooting digitally and using imaging programs during development are also detailed. Before-and-after photographs paired with instructive text provide a visual approach to this ethereal photography form.

This book is a comprehensive guide to this fascinating branch of photography. A description of film, filters, and the behavior of infra-red film is followed by a workshop section, which provides an easy-to-follow guide to infra-red photography illustrated with many examples. A technical section is followed by a collection of six portfolios featuring the work of six photographers who use infra-red film as the basis for their images.

In infrared photography, the film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Usually an "infrared filter" is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum (the filter thus looks black or deep red).