The first substantial survey of international street photography since the late 1980s. For the last twenty years the candid photography of life in public has been mostly underground but secretly flourishing, stimulated by the wide availability of digital cameras, a profusion of photoblogs, and new self-publishing opportunities.

Street Photography Now showcases the work of forty-six image-makers who are notable for their candid depictions of life on the streets and in the subway, in shopping malls and movie theaters, on beaches and in parks. Four thought-provoking essays put the work into the wider context of what has gone before, while quotes from the photographers expand and illuminate their work and draw attention to their influences and ways of working.

Included are luminaries such as Magnum grandmasters Bruce Gilden, Martin Parr, and Alex Webb, as well as an international group of emerging photographers whose views of New York or Tokyo, Mumbai or Bournemouth, Istanbul or Dakar, all record moments in time that will never be repeated. 200 color and 60 black-and-white photographs

This landmark book, a monumental chronicle of the photographic genre created from the chaotic energy of everyday street life, grew out of a fifteen-year collaboration between an esteemed curator and a distinguished photographer. The work of such celebrated masters as Atget, Stieglitz, Cartier-Bresson, Brassaï, Walker Evans, Robert Frank, and Garry Winogrand are presented here, along with extraordinary photographs by complete unknowns. Colin Westerbeck's enlightening text illuminates each of these images, and a new illustrated afterword by Westerbeck, only available in this paperback edition, examines contemporary street photography.

This in-depth and generously illustrated look at six postwar photographers, along with a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. Street Seen, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model s unflinching look at the urban environment; Louis Faurer s portraits of eccentrics in Times Square; Ted Croner s haunting night images; Saul Leiter s evocative glimpses of daily life; William Klein s graphic, confrontational style; and Robert Frank s documentation of American ideals gone awry these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America. An essay by Lisa Hostetler explores the aesthetic revolution that took place after the war and reveals the principles of spontaneity and subjective interpretation that guided these photographers as they sought to make sense of new realities. A timeline, brief biographies, and bibliography are also included in this valuable compilation of the mid-century s most influential photography.

The reputation of British photographer John Deakin rests chiefly on his remarkable documentary photographs and portraits of the creative souls and maverick talents who haunted the pubs and clubs of London's Soho in the 1950s. Francis Bacon, Lucian Freud, Frank Auerbach, Colin MacInnes, Dylan Thomas ...these painters, poets, writers, and others defined an era in the cultural life of postwar England. Less known are Deakin's haunting evocations of life on the streets of London, Paris, and Rome. Here his eye is not cold-blooded or dispassionate but rather profoundly generous, sympathetic to the chaos of postwar urban life. His pictures of lamplighters, fairground workers, dog walkers, priests, nuns, and shopkeepers reveal an empathy to rival that of Doisneau and Brassaï. Equally intriguing are his depictions of the relics of human activity: chalked-up children's games, graffitied messages of love or anger, and the richly textured shapes and surfaces of street signs, peeling walls, window shutters, and shop-front banners. Though a legendary drinking companion in artistic circles, Deakin was not universally popular the Woolworth heiress Barbara Hutton once described him as "the second nastiest little man I have ever met." Yet he was respected by all for his professionalism and his originality. After his death in 1972 his work lay neglected for a number of years. A Maverick Eye: The Street Photography of John Deakin helps restore him to his proper place as one of the UK's finest photographers. 192 photographs, 184 in duotone.

A pain-free, straightforward view of street photography like it has never been done before...(yet) Tips and techniques alongside lots of black and white as well as color pictures, to help you navigate your way through the streets for rules-free picture making. Book includes topics such as: photographing at night, taking pictures in the rain, what is street photography, alternatives, accidental work and more. Please keep in mind that the main purpose of this book is to be an inspiration for you to find your own unique style and expression while having fun photographing the streets of your town.

A portfolio of pictures taken in the New York area with a Holga toy camera. Discover some fascinating images captured through a plastic lens.

Features over hundred and twenty works by young Russian photographers, presenting a fresh glimpse of Russia.